Arling and Cameron
Music for Imaginary Films (Emperor Norton). Review by Ian Koss
Music for Imaginary Films (Emperor Norton). Review by Ian Koss
The Mother Hips (Orange Recordings). Review by Mike Fournier
I’m Sick About My Hat (Atavistic). Review by Nirav Soni
Magick Rock Vol. 1 (TMC/Rise Above). Review by Nathan T. Birk
Print Review by James MacLaren
They Came Over the High Pass (Necropolis). Review by Nathan T. Birk
One of the editors seemed to disagree. Thinking that I had deserted ship, he dreamed up the most horrid, painful disgusting punishment ever inflicted upon a living human being. He put Morrissey on my page.
Learning to Scream 7” (Taang!). Review by Mike Fournier
Failures for Gods (Mortification). Review by Nathan T. Birk
Bam Bam Bam! (Peek-A-Boo). Review by Kurt Channing
Roulette Girl (Fowl). Review by Phil Bailey
Interview by Gail Worley
Interview by Phillip Haire
Ditch this gimmick like the plague. It’s fucking bad, trailer park, crazy uncle, kind of shit. The snot rag doesn’t make sense. The gesture in itself is not particularly vile or sinister, it’s more bizarre like that kid who ate paste and boogers in second grade. AND RAVEN IS NO PASTE EATER!
From the Paradise Motel (Barbed Wire). Review by David Whited
Diving Into Darkness (Nuclear Blast). Review by Mike Fournier
Feature
The Fox (Teenbeat). Review by Ian Koss
Various Artists (Om). Review by Aaron Schultz
Feature by James Mann
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.