Before there was Leather Tuscadero, Suzi Quatro was in two pioneering, all-woman rock bands in her hometown of Detroit, Michigan. This is a Quick Look at those bands: The Pleasure Seekers and Cradle.

Bob Pomeroy ponders Squeeze, the final studio album credited to the Velvet Underground, and what it could have been.

Two new releases from Free Dirt Records use sound and music to tell stories about our history.

Today’s Smmoth Jazz Roundup is a collection of short reviews of easy-to-listen-to jazz.

Bob’s been looking for a replacement copy of the rare John Cale release Sabotage/Live (1979, Spy Records) since 1991. He still hasn’t found a copy at a reasonable price, but a random YouTube video allowed him to listen and reminisce.

Black Mesa reissues two seminal Tim Easton records, and Bob Pomeroy tells you about them.

Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.

Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.

A TikTok video brings memories of long-ago escapades with girly magazines and rock and roll, kicking off an archival excavation to find a controversial 1972 album by Mama Lion. Welcome to Bob Pomeroy’s new occasional column, Archive Archaeology.