High Rise
Live (Squealer). Review by Steven Garnett
Live (Squealer). Review by Steven Garnett
Nailwork (Nuclear Blast). Review by Mike Fournier
Feature by James Mann
More Betterness (Fat Wreck Chords). Review by Patrick Rafter
I can’t use a knife and fork properly. I can’t seem to make myself believe that everyone isn’t watching me eat. I can’t can’t CAN’T stand it when people crack jokes about me (I know we spend half the night making fun of Mr. Can-aa-da, but this is me we’re talking about now).
Evergreen Boy (Koch). Review by Sean Slone
Nothing Makes Sense Without It (New American Dream). Review by Andrew Chadwick
Automatic Midnight (Swami). Review by Nathan T. Birk
Breeding Death (Century Media). Review by Nathan T. Birk
Soundtrack (Play-Tone/Columbia). Review by Phil Bailey
Seven Year Cicada (Triple Crown). Review by Patrick Rafter
The Ponga Remixes (Loosegroove). Review by Nirav Soni
Various Artists (Capitol Radio). Review by Andrew Chadwick
The Moves (Mr. Lady). Review by Phil Bailey
Interview by Matt Thompson
Banjo Spiders (Spinning). Review by Sean Slone
Messiah (Nuclear Blast). Review by Nathan T. Birk
Screen Review by Andrew Chadwick
Looking For a Day in the Night (Spin Art). Review by Terry Eagan
Folly 12” EP (Gin & Catatonic). Review by TJ Stankus
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.