I love Meisha because they are willing to take their time. They don’t cave in…

Lush and melodic and moving into me. The first track is just the beautiful vo…

Many line-up changes have confused the issue, but for the purpose of this rev…

In both Eastern and Western traditions, chant is one of the purest and most b…

Free. Open. Good. I’m finding that the best music is often the hardest to des…

Phatso’s Place: Free Funky Drum Loops and Samples (Ink 19, June 2000)

Music Midtown is a great chance to catch bands you might never get to see otherwise. Frank Mullen took some chances at this year’s festival in Atlanta, and found out what he’d been missing from the likes of Jimmy Cliff, BR5-49, the Jungle Brothers, and Bjorn Again, as well as a pre-Noel Gallagher walk-out Oasis.

Wow! Fuck yeah! The Crowns are back with a vengeance! If you were a fan of th…

Domine

Once in a while, a simple exploitation film ages well and becomes something f…

Sometimes, a rock band will use electronic elements. Sometimes, it’s the othe…

Jim Lasley (Ink 19, June 2000)

How Does That Song Go? (Ink 19, June 2000)

Recording the soundtrack for the motion picture Million Dollar Hotel[[/I…

Suba is apparently one of Brazil’s leading producers. Sao Paulo Confessi…

Mostly propagated by the “alternative”-minded likes of Spin and [[…

Damon Johnson. Name sound familiar? It should. Johnson was the long-time head…

Special Ed Sofield treats us to a discourse on the authorities’ abuse of your right to keep on breathing in Wednesday Again.

Sean Carswell examines the systematic pillaging of Indian (or Native American, if you prefer) spirituality by the New Age set and the hypocrisy of organized religion.

Alright! The second album from Monkeywrench, and only nine years after they r…