To Dream, Perchance to Sleep (Projekt). Review by Dave Aftandilian.

The 13th Round (TKO/Flat). Review by Phil Bailey.

Behind Closed Doors (Epic/Legacy). Review by Phil Bailey.

Crooked Autumn Sun (Official). Review by Daniel Gill.

Live (Columbia). Review by Matthew Moyer.

Home Vol. I (Post-Parlo). Review by Marcel Feldmar.

Accepted Eclectic (Project Blowed/Ground Control). Review by Kiran Aditham.

Folkemon (Nuclear Blast America). Review by Matthew Moyer.

Does the music industry chew artists up and spit them out, or do they do it to themselves? Lee Ann Leach ponders the issue of integrity in music.

Extreme Hatred (Hammerheart). Review by Nathan T. Birk.

Various Artists (Rephlex). Review by Matthew Schaefer.

Short Order Crook (Cosmic Debris). Review by Nathan T. Birk.

Damaged Goods (Blue Line Recordings). Review by Marcel Feldmar.

Midian (Koch). Review by Matthew Moyer.

Good Vibrations/No Expectations (Evolving Ear). Review by Terry Eagan.

Carl F. Gauze offers you a quick and dirty guide to the 8-track of the new age.

A Temple in the Clouds (Projekt). Review by Dave Aftandilian.

Summer Winners/Summer Losers (A Hidden Agenda/Parasol). Review by Andrew Chadwick.

Waiting For Parts (Spare Me). Review by Andrew Chadwick.

Evil Is… (Megaforce). Review by Nathan T. Birk.