Let’s take another dip into the Ink 19 virtual mailbag, and see who’s ticked off at us THIS week…

A Flight and a Crash (Epitaph). Review by Brian Kruger.

Wednesday Again :: Once You’ve Had Honkey… :: Thursday, June 7th, 2001

“Her handicap only becomes obvious when her relatives wipe her mouth at dinner, in front of everyone in the restaurant. I’m sure she’s always relied on them, and trusts them when maybe she’s never trusted anyone, but I think she probably trusts them too much.”

So Far (spinART). Review by Joshua Krause.

OK, it only looks like a pop culture magazine. Carl F. Gauze reveals the true mission of Ink 19.

In the midst of legal battles with the artists themselves, Polydor has reissued the first solo efforts from members of The Allman Brothers Band: Gregg Allman’s Laid Back, The Gregg Allman Tour, and Playin’ Up a Storm, and Richard “Dickie” Betts’ Highway Call, Hal Horowitz takes an in-depth look to put these reissues “In Perspective.”

A.M. G.O.D. (Century Media). Review by Matthew Moyer.

4_song_brick_bomb (Fueled By Ramen). Review by Liza Hearon.

Karen Carpenter-Damascus and Frances Farmer’s surreal comic strip makes its triumphant return! This time, Jonny teaches you about the fine art of “blading.” Kids, don’t try this at home!

A Man Under the Influence (Bloodshot). Review by James Mann.

The Best of Freddy Fender (MCA Nashville). Review by Brian Kruger.

Pneumonia (Lost Highway). Review by James Mann.

Take Manhattan (Mud). Review by Marcel Feldmar.

Amnesiac (Capitol). Review by James Mann.

Mississippi Hill Country Blues (Fat Possum). Review by Troy Mayhew.

Hero (Tooth & Nail). Review by Marcel Feldmar.

If a band takes its name from a Robert E. Howard tale, they’d better have some epic lyrical battlescapes to back it up. Symphonic metal masters Bal-Sagoth deliver on the promise of their name. David Lee Beowulf talks with swordsman – er, frontman Byron about Howard, weaponry, and metal!

Young, Guitar Days (Relentless Nashville). Review by Sean Slone.

Miss Fortune (What Kinda). Review by Marcel Feldmar.