1970 EP (Tone Casualties). Review by Stein Haukland.

We Are the Only Friends We Have (Big Wheel Recreation). Review by Margie Libling.

Various Artists (Putumayo). Review by Bill Campbell.

Bone Days (Asitis Productions / Daemon). Review by Bill Campbell.

Bring On the Hate (Slow Burn). Review by Terry Eagan.

Singles Club (Neo International). Review by Matt Cibula.

Director Mark Foster takes an in-depth look at hockey punks Two Man Advantage in his new documentary, 69 Minutes of Fame. Matthew Moyer lets you know whteher the film scores a hat trick or deserves a game misconduct.

Metal Machine (Steamhammer / SPV). Review by David Lee Beowulf.

In Perspective :: Uncle John’s Box Set :: Monday, March 18th, 2002

Blueprints (Candlelight). Review by Daniel L. Mitchell.

After tackling cocaine in his novel Snowblind, Robert Sabbag turns toward a more “herbal” remedy with Loaded: A Misadventure on the Marijuana Trail. Stein Haukland wonders whether the book should have been printed on rolling papers.

Pull My Chain (TKO). Review by Vanessa Bormann.

Something Wicked This Way Comes (Ninja Tune). Review ,by Bill Campbell.

Daniel L. Mitchell explores Robert Smith’s “Axis of Evil” – and its life-changing effects – with an in-depth look at three seminal albums from The Cure.

Deerhoof (Menlo Park). Review by Daniel L. Mitchell.

While You Weren’t Looking (Yep Roc). Review by Sean Slone.

Bring the Funk On Down (Instinct). Review by Bill Campbell.

Blutsabbath and The Last Supper (Mercenary / World War III). Review by David Lee Beowulf.

Le Tigre, with The Butchies and V For Vendetta at The Social in Orlando, FL on February 26, 2002. Concert review by Bettie Lou Vegas. Photos by Julio Diaz.

Stand by for Exciter, as David Lee Beowulf talks with Scott Travis, drummer for the legendary Judas Priest, about the state of metal in 2002!