The Prodigy
Baby’s Got a Temper (Maverick). Review by Bettie Lou Vegas.
Baby’s Got a Temper (Maverick). Review by Bettie Lou Vegas.
The Rodeo Eroded (Ropeadope). Review by Daniel Mitchell.
Living Targets (Epitaph). Review by Terry Eagan.
Folklore (Jetset). Review by Rob Walsh.
The King of Nothing Hill (Mute). Review by Bill Campbell.
Girls Get Busy (Lookout!). Review by Bettie Lou Vegas.
Gusto (Epitaph). Review by Liza Hearon.
If you thought Raymond Chandler was hard-boiled, you’re in for quite a shock from the gritty reality of Matthew Stokoe’s gripping new book, High Life. Ian Koss needed a shower after writing this review.
The Good Night (Kim Chee). Review by Terry Eagan.
Bill Campbell gets the lowdown on remixing, the Philly sound and interesting names from King Britt.
Sad Songs… Better Days (Devil Doll). Review by Matthew Damascus.
(Cries From Space) EP (Wantage). Review by Ian Koss.
Dirty Dancing (!K7). Review by Bill Campbell.
Para Puente (CuBop / Ubiquity). Review by Bill Campbell.
David Lee Beowulf bangs on about Idiotarians, terrorists, oil and Susan Sontag, long may he bang.
Incredible (Columbia). Review by Stein Haukland.
Libertine (Artist Direct / BMG). Review by Stein Haukland.
Atmosphere (Inconvenient Press). Review by Terry Eagan.
Phuket A La Bum Bum (Bulb). Review by Kurt Channing.
Just what does happen with your pictures when you drop them off? Robin Williams explains in a chilling fashion. James Mann asks for the glossy finish.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.