Various Artists (Waveform). Review by Bill Campbell.

Ultraviolet (Journeys By DJ). Review by Bill Campbell.

Satans Tornade (Warp). Review by Stein Haukland.

Cultivated Pearl (self-released). Review by Stein Haukland.

Global Clash (Nice + Smooth). Review by Stein Haukland.

Sex and Mayhem, Part 1. Review by Matt Cibula.

Voyage To India (Motown). Review by Bill Campbell.

(Mille Plateaux). Review by Bill Campbell.

Bigger Cages, Longer Chains (Epitaph/Burning Heart). Review by Aaron Shaul.

Messy Blue Ending (h2m). Review by Stein Haukland.

No Silver/No Gold (Sub Pop). Review by Dan Stapleton.

Fear Yourself (Gammon). Review by James Mann.

She’s a Knife (Mute Records). Review by Aaron Shaul.

Long Knives Drawn (Polyvinyl Records). Review by Dylan Garret.

White Night, Floating Anchor (Emperor Jones). Review by Stein Haukland.

According to biographer Martin James, English band The Prodigy is the best rock band, period. Understandably, Dan Stapleton is somewhat skeptical.

Televise (Arena Rock). Review by Daniel Mitchell.

Warriors (Beggars Banquet). Review by Matt Cibula.

Aleksandar Hemon’s Nowhere Man follows the adventures of Jozef Pronek, a young Sarajevan stranded in Chicago. Terry Eagan shares his insight on this work examining identity and roles.

Skeleton Key EP (Deltasonic). Review by Stein Haukland.