The Eaves
The Eaves (Ace Fu). Review by Aaron Shaul.
The Eaves (Ace Fu). Review by Aaron Shaul.
Soul Food Taqueria (Mo Wax/Beggars Group). Review by Bill Campbell.
Center: Level: Roar (Ozone Music). Review by Bill Campbell.
Sky Pilots (Jetset). Review by Stein Haukland.
The capstone in Seattle’s Experience Music Project has to be the Hendrix Gallery, the recently unveiled tribute to one of the city’s favorite musical sons. Steve Stav give us an eyewitness account.
Black Midnight Sun (Dreyfus Jazz). Review by Bill Campbell.
Shawn Smith, vocalist for Brad (featuring members from Satchel and Pearl Jam) discusses comparisons with Elton John, Prince, and finding a proper label to release Brad’s material. Troy Jewell has the scoop.
You’ve Never Seen Everything (Rounder). Review by Sean Slone.
Fame Among The Vulgar (Atenzia). Review by Andrew Ellis.
Billion Dollar Gravy (Hospital). Review by Ben Varkentine.
She And I (Tooth & Nail Records). Review by Daniel Mitchell.
6TWENTY (Hollywood Records). Review by Daniel Mitchell.
Angelina Jolie returns as Lara Croft, but someone forgot to give her a script. Cradle of Life…or Kiss of Death? Lip-reader Steve Stav has the answer.
Offcell (Absolutely Kosher Records). Review by Margie Libling.
When Broken Is Easily Fixed (Victory). Review by Margie Libling.
Split EP (Doghouse Records / Redemption Recording). Review by Daniel Mitchell.
Last Call (Foodchain). Review by Stein Haukland.
Band Red (SpinART). Review by Aaron Shaul.
Shades of Blue: Madlib Invades Blue Note (Blue Note). Review by Kiran Aditham.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.