Goddess (). Review by Kyrby Raine.

Black Dialogue (Definitive Jux Records). Review by Shelton Hull.

When We Speak, We Breathe (Fearless). Review by Addam Donnelly.

We’ll be catching up with this man’s talent for decades. Jason Nelson sends along six evocative postcards from Australia.

Abramoff indicted - posted by James Mann on August 12, 2005 07:26

Read ‘em and weep - posted by James Mann on August 12, 2005 07:24

Third World Man - posted by James Mann on August 12, 2005 07:15

Hayes Carll shushed the loudmouths at Smith’s Olde Bar, much to David Whited’s satisfaction.

Absencen (Staubgold). Review by Aaron Shaul.

Smile (Writing On The Wall Records). Review by Kyrby Raine.

Welcome to Goodbye (Metropolis Records). Review by Jorge C. Galban.

Nothing Short of Amazing (Longshot Records). Review by Kyrby Raine.

Able Danger - posted by James Mann on August 11, 2005 07:56

Sound familar? - posted by James Mann on August 11, 2005 07:37

Dissent in the United States - posted by James Mann on August 11, 2005 07:28

he’s baccccck… - posted by James Mann on August 10, 2005 19:30

Atlanta singer-songwriter Angie Aparo has been writing and performing long enough to understand the complexities of the music business, and that’s why he is determined to try and reinvent it. Andrew Ellis finds out how he intends to do it.

Ever wonder where those electronic squiggles in old Science Fiction films came from? Ever wonder about the first bands to abandon guitars for electronic instruments? Two new films from Plexfilm show you how Robert Moog taught circuits to sing and how British pop bands put those sounds on the pop charts. Bob Pomeroy sings the body electric.

It’s a macho-fueled comedic take on the ’80s TV drama, The Dukes of Hazzard with revved up motors, sex and car crashes. But you knew that. As does Rob Levy.

Not On Top (Track & Field). Review by Aaron Shaul.