Lion The Girl (New Line). Review by Jen Cray.

Until I’m There/Days Will Pass 7” (It’s a Trap!). Review by Aaron Shaul.

Tied And True (Bloodshot). Review by Jen Cray.

Still Stuck in Your Throat (Sound In Color). Review by Jen Cray.

Did they hack the vote in Ohio? - posted by James Mann on April 24, 2007 06:22

Kudos to Kucinich - posted by James Mann on April 24, 2007 06:11

Sickening lack of humanity - posted by James Mann on April 24, 2007 06:04

We the Media deals with the rising trend of grassroots citizen journalism and how it affects everyone, from the public to the media. Journalism student Brittany Sturges reads on.

Ode To Ochrasy (Mute). Review by Jen Cray.

Too Little Too Late / Revenge of the Village Idiots (Village Idiot Records). Review by Carl F Gauze.

Sharp Teeth (Buhanan). Review by Aaron Shaul.

“Get out of my way bitch…” - posted by James Mann on April 23, 2007 06:06

Feds too broke to ensure food safety, but hey, we’ve got optiona - posted by James Mann on April 23, 2007 06:04

Bush=Hypocrite - posted by James Mann on April 23, 2007 05:53

Cold War Kids , riding a tsunami swell of buzz off of their debut album Robbers & Cowards, was a sure-to-sell-out event (and it did) that no self respecting music fan in Orlando- esspecially Jen Cray - would have been absent from.

Mr. Spookhouse’s Pink House (Quite Scientific). Review by Aaron Shaul.

Jerusalem: A Symphonic Saga (Self-Released). Review by Aaron Shaul.

Marrow of a Bone (Warcon). Review by Jen Cray.

New review - posted by James Mann on April 20, 2007 06:31

Before the Design Republic, before even 4AD’s Vaughan Oliver / v23, there was Peter Saville and Factory Records. The history of music and design is filled with intersections, and Matthew Moyer considers none to be as seminal as this.