You might still love Liz Prince after reading her autobiographical comic, but if it’s maturity you’re after, you’re in this relationship for the long haul.

The Sea To The North (Breeze Hill). Review by Matthew Moyer.

Bye bye Muzak, hello Bloom - posted by James Mann on February 11, 2009 07:22

Diaper David Vitter to face porn star in re-election bid? Sweet! - posted by James Mann on February 11, 2009 07:03

Are the GOP just nuts or what? - posted by James Mann on February 11, 2009 06:58

First-time author and rock-concert veteran Steve Weinberger has written perhaps the funniest overview of the mosh-pit population ever. Like a mad scientist, Weinberger categorizes and analyzes every species of concertgoer in No Air Guitar Allowed, painting them with deft satirical strokes and a surprisingly empathetic eye. Ink 19 and Weinberger discuss how he spent years of his life illustrating the differences between KISS and indie-rock fans.

Live at the Paradiso - Amsterdam (Vanguard). Review by Tim Wardyn.

Slicing their nuts with a scalpel for freedom - posted by James Mann on February 10, 2009 07:05

A good question - posted by James Mann on February 10, 2009 07:01

Now this is more like it… - posted by James Mann on February 10, 2009 06:49

Serbian Film Noir gets a shot of hope in the form of a hot, red Renault 4.

The Metamorphosis Project (Fono’gram). Review by Aaron Shaul.

How many dead? - posted by James Mann on February 09, 2009 06:51

FEMA sitting on 3.9b for Gulf Coast…why? - posted by James Mann on February 09, 2009 06:40

Growing drugs in goats - posted by James Mann on February 09, 2009 06:35

The Year of Magical Thinking - posted by Carl Gauze on February 08, 2009 23:14

iMove - posted by Carl Gauze on February 08, 2009 22:49

Joe Turner’s Come and Gone - posted by Carl Gauze on February 08, 2009 22:01

Joe Turner’s Come and Gone - posted by Carl Gauze on February 08, 2009 21:53

Ron MacLean weaves a dream-like reality, exploring detachment and loss in his short story collection Why the Long Face?. S D Green conducts an unconventional interview with the author exploring, in part, technology’s impact on human interaction and contemporary literature. Does it work? You be the judge.