Loud Fast Rules (ROIR). Review by Scott Adams.

What a long, strange trip its been - posted by James Mann on December 15, 2010 05:00

Forget (Terrible Records). Review by Jen Cray.

Watermelon-squashing comedian Gallagher returns to splatter the stage of the Plaza and the first eight or nine rows of seats. Carl F Gauze hides beneath a trash bag outside of the splash zone.

Prepare for Black & Blue (Ruffshod Records / Nettwerk). Review by Al Pergande.

Soundtrack (Epitaph). Review by Carl F Gauze.

The distance between Eunice Waymon and Nina Simone is explained and explored for Jessica Whittington in this somewhat dry biography.

The Unforgettable Sounds of Esquivel (Exotica For Modern Living). Review by Carl F Gauze.

Wanzie’s Glittering Star-Studded “A Christmas Carol” - posted by Carl Gauze on December 12, 2010 22:51

Sweet Evalina - posted by Carl Gauze on December 12, 2010 22:11

Nuncrackers - posted by Carl Gauze on December 12, 2010 13:10

Songs of the Grateful Dead (Woodstock). Review by James Mann.

Another Man’s Treasure (Echo Park). Review by Carl F Gauze.

Few things are as Rock ‘n’ Roll as 30-year punk rock veterans Social Distortion, as Jen Cray and a sold-out crowd at Orlando’s House of Blues recently witnessed.

Seconds Late for the Brighton Line (ROIR). Review by Robert Sutton.

The Grand Theatre, Vol. 1 (New West). Review by Sean Slone.

I used to say stupid should hurt more - posted by James Mann on December 09, 2010 05:24

Darker the Night (In Music We Trust). Review by James Mann.

Old school skateboarding thrash punks Suicidal Tendencies stopped by Orlando with Hed PE to wax political. It was a ruckus not to be missed – and Eric Donath did not.

Dog Ear Days. Review by Matthew Moyer.