Sing-A-Longs (New Rag Records). Review by James Mann.

Buck ‘Em! The Music of Buck Owens (1955-1967) (Omnivore Recordings). Review by James Mann.

Julien Temple’s stylized documentary of Dr. Feelgood, Wilko Johnson, and Canvey Island recalls the days of Pub Rock and the psyche of the East End London working classes.

A Year With Frog And Toad - posted by Carl Gauze on November 18, 2013 23:48

A four-disc set of every Edie Adams show from the early 1960s.

The Big Oz - posted by Carl Gauze on November 17, 2013 23:01

Crazy For Gershwin - posted by Carl Gauze on November 17, 2013 14:48

Assassins - posted by Carl Gauze on November 17, 2013 13:49

Nanobots (Idlewild). Review by Eric J. Iannelli.

The legendary REO Speedwagon joined forces with Cheap Trick’s Robin Zander to converge on Melbourne, FL’s King Center and deliver a true blue rock and roll spectacle of epic proportions.

Transnational (Anachron Records). Review by Carl F Gauze.

Mad Men Christmas (Concord Records). Review by Scott Adams.

Sacred World (Tarun Balani Collective). Review by Carl F Gauze.

The Spotlight Cabaret Series Presents: Candace Neil - posted by Carl Gauze on November 10, 2013 11:18

Simple, catchy punk band Cockney Rejects reflected the tough streets of East End, London, giving name to the Oi subgenre.

An astonishingly cynical and realistic view of how (not) to make it in Rock and Roll. Told from a European perspective, in German, Mit Untertiteln.

Once upon a time, long ago, KISS was a rock band. This story recounts how four unlikely guys from New York first came together during the early 1970s and literally changed the face of rock and roll.

A Very Special Christmas: Icon (Universal Music). Review by Michelle Wilson.

Turn It Up (Chicken Coup Records). Review by Carl F Gauze.