Got a Mountain to Climb (Sour Wine Records). Review by Stacey Zering.

The winner of the Golden Bear at the 2018 Berlinale, Touch Me Not, Adina Pintilie’s experimental feature, challenges conventions while examining the fear of intimacy.

Dick Cavett gets inside the comic mind of Robin Williams, Richard Lewis, Bobcat Goldwait, Gilbert Gottfried and more.

Train (Semafore Music). Review by Stacey Zering.

Before Hamlet had his run in with a bad fencing experience, there was some high level hanky panky. Here are the juicy details…

Carnival Barkers (Cleave Recordings). Review by Bob Pomeroy.

Kevin Kelly walks into a bar and says: “Wow! What a crowd!”

Bruno Schultz’s mystical stories come to life in this furious and high energy production.

Jam-band blues-rockers The Magpie Salute brought their unique sound to Central Florida, and Michelle Wilson got a healthy double-dose of one of her favorite bands.

Forever (Juniper Records). Review by Stacey Zering.

The Sybil EP (Mutant Cat Records). Review by Bob Pomeroy.

Guillermo del Toro gives a new look at gothic horror in Crimson Peak.

From Memphis to New Orleans - Songs From Robin Hood Lane (Bar/ None). Review by Bob Pomeroy.

When does a band become a brand? This new documentary examines the current state of the music business and reveals how the “brand” of a rock group now has more power than the members themselves.

Moisés Kaufman takes us into the hellish world of Oscar Wild’s foolish libel trial that sent him to jail for two years

A complex tale of sex and morality plays out in a small southern college

Work place tragedy turns into publishing gold.

He’s produced everyone from Herbie Hancock to Soundgarden. Michael Beinhorn tells about the art of music production.

All the electricity is gone, but theater soldiers on.

Psychedelic Country Soul (Omnivore Recordings). Review by James Mann.