Alice, Sweet Alice
A young Brooke Shields stars in the late-night bit of gore.
A young Brooke Shields stars in the late-night bit of gore.
The idle rich fuss and feud as WW1 builds up a head of steam.
Sitting On Top of the Blues (Deep Rush Records/Thirty Tigers). Review by Bob Pomeroy.
Generic (Farmadelica). Review by Carl F. Gauze.
Second time may be lucky, but not without some serious drama along the way.
We explore the inner workings of our judicial system in this legal thriller.
We Are On The Edge (Pi Recordings). Review by Bob Pomeroy.
Evergreen (Lemp Electric). Review by James Mann.
Rearrange My Heart (Free Dirt). Review by Bob Pomeroy.
600 miles. 18 hours. 10 cans of Monster. 3 tanks of gas. 2 Anthrax CDs. For Christopher Long there was 1 mission - to see the RockNRoll Chorus live in concert. Hard core. It’s how we roll.
A 1929 Parisian hit stage play becomes an arty yet poignant film in the Golden Age of French Cinema.
Fierce and Non-Compliant. Review by Stacey Zering.
Stand for Nothing (Speedwax /Ghost Highway). Review by Bob Pomeroy.
George Takei recalls his childhood in Japanese internment camps, and his rise to film stardom in an easy to read Manga-style graphic novel.
Popping off rapid-fire “gotchas” from start to finish, Creston Mapes possesses precision marksmanship — paralyzing readers with each page of his latest thriller, “Signs of Life.”
Peter Laughner (Smog Veil Records). Review by James Mann.
Shake, Stomp and Stumble (Primal Beat Records). Review by Bob Pomeroy.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.