Howlin Rain
Under The Wheels: Live From The Coasts, Volume 1 (Silver Current Records). Review by Michelle Wilson.
Under The Wheels: Live From The Coasts, Volume 1 (Silver Current Records). Review by Michelle Wilson.
Endure (Pravda). Review by Bob Pomeroy.
Sugar Drops (Red House Records). Review by Michelle Wilson.
A Nubian princess captured by the Egyptian falls in love with her captor, and then things spiral into musical theater.
A young girl finds love in the wrong place and ends up as a tree.
Carnage Bargain (Suicide Squeeze). Review by Bob Pomeroy.
Vengeance is a dish best served in London.
War In My Mind (Provogue/Mascot Label Group). Review by Michelle Wilson.
The “Play That Must Not Be Mentioned “ appears in all its mystery and ambiguity.
Graveyard Island (Hellcat). Review by Scott Adams.
The Dream and the Dreamer (Anti Records). Review by Jeremy Glazier.
Generoso reviews the astute and prophetic feature, No Place Like Home, Jamaican director Perry Henzell’s long-awaited follow up his cult classic, The Harder They Come, which has been recently restored and is celebrating a short theatrical run and Blu-ray release.
Misty Morning Dew. Review by Michelle Wilson.
A new festival of new plays takes its first steps in Downtown Orlando
ALS has claimed the life of The Muff’s co-founder. Laura Potillo recalls the influential rocker.
The closure of an old school manufacture in Reading, PA destroys a town and its inhabitants.
Malfunction. Review by Christopher Long.
This is why I dislike the holidays.
Up and Rolling (New West Records) Review by Jeremy Glazier.
Carrying On (New West Records). Review by James Mann.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.