Begone, foul year
Let’s leave 2020 in our rearview, shall we?
Let’s leave 2020 in our rearview, shall we?
Jeremy Glazier talks to filmmaker Scott Rosenbaum about his documentary Sidemen: Long Road to Glory, the story of three obscure but legendary blues musicians.
Lick (Flesh Fury). Review by Carl F. Gauze.
Slipknots Through A Looking Glass (Pyroclastic Records). Review by Bob Pomeroy.
Mr. Cool. Review by Stacey Zering.
Lily and Generoso select and review their ten favorite features, five supplemental films, and prized repertory releases of 2020.
Golden (Annie O’Malley). Review by Christopher Long.
If you got The Nude Party to perform at your next get-together, it would be the kind of shindig that produces two marriages, three break-ups, and gossip for years to come.
The sounds of Moog synthesizers have been the future of music for a good part of our past now. Julius C. Lacking takes a look at this comprehensive guide.
Accelerate Every Voice (Pyroclastic Records). Review by Bob Pomeroy.
Guitarist Robert Evan Trop of Beach Viper discusses his influences and growing up on Elvis.
Material Flats (Fine Alpinist Records). Review by Bob Pomeroy.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.