e.g., rhapsodic (Nouveau Electric Records). Review by Bob Pomeroy.

333 (In the Red). Review by Scott Adams.

Eight silent comedies from legendary character actor Edward Everett Horton get the love from Undercrank Productions.

A Tribute to the Subsonics (Mandinga). Review by Julius C. Lacking.

The Scientists have been conducting their Australian experiments in proto-punk for over four decades now, and it’s surprising that they’ve yet to publish in a peer-reviewed journal.

8 Days On The Road (Foghat Records / Select-O-Hits). Review by Christopher Long.

Disney princesses aren’t so happily ever, after after all.

Mesmerised (Action Weekend). Review by Julius C. Lacking.

Four Mile Road. Review by Bob Pomeroy.

A singer falls in love with her bodyguard, making for an awkward concert tour.

McCartney III Imagined (Capitol). Review by Julius C. Lacking.

From conservatism and socialism to faith, family, and feminism, activist/author Candace Owens addresses many of today’s hottest cultural bullet points in her controversial debut page-turner.

Dream Weapon (Relapse). Review by Julius C. Lacking.

Nephilia (The Sign Records). Review by Carl F. Gauze.

Yeti Season (Big Crown). Review by Julius C. Lacking.

I have to tell you about some pretty swell records that have been kicking around, getting lost in the car and falling behind dressers. I found them again, so I want to share them with you. Better late than never.

Juliana Hatfield is once again in the middle of an unstoppable creative streak, now mixing her needle-sharp pop sensibilities with some truly out-there production.

Carolina Child (Free Dirt Records). Review by Jeremy Glazier.

The Alchemist (Origin Records). Review by Bob Pomeroy.

At The Bottom Of A Canyon In The Branches Of A Tree (Pravda Records). Review by Bob Pomeroy.