Sasha Siem
May Terry awakens from a synth-pop slumber to enjoy the off-the-beaten path music of Sasha Siem at Le Poisson Rouge in NYC.
Read on for action reports of concerts, festivals, stand-ups, one-acts, and other parades of human entertainment from the passionate reviewers camping out in backstage trenches and after-parties to write about them for you in the morning.
May Terry awakens from a synth-pop slumber to enjoy the off-the-beaten path music of Sasha Siem at Le Poisson Rouge in NYC.
The ear-shattering beauty and wildly colorful spectacle of Muse overtakes Orlando, and Jen Cray.
Saul Conrad may be more coffee house than dive bar, but his Poison Packet is still worth pouring into your musical drink.
Rootsy, blues-based rockers Grace Potter and the Nocturnals returned to their favorite tour destination – much to the delight of their adoring Orlando, Florida fans.
Ty Segall, fuzzmeister of psychedelic lo-fi garage rock, shows no signs of slowing down his Mach 3 musical momentum, as May Terry witnessed during his concert at Webster Hall, NYC.
May Terry melts the winter doldrums with the French Horn Rebellion’s all-out Nu-Disco dance party at Brooklyn Bowl.
According to May Terry, activism can be fun when it’s done with a friendly nudge from Erin McKeown, who delivered a great night of alternative folk with a touch of Cabaret at Le Poisson Rouge in NYC.
Carl F Gauze previews the best ultra-low budget films for the cinema lover in all of us.
Concrete Blonde’s Johnette Napolitano is one of the most underrated female rock singers of the past 20 years, with a powerful voice that rips your heart out at will. May Terry saw the band and looks for the suture kit to restitch her chest.
San Francisco’s The Stone Foxes jingle-rocked NYC’s Grammercy Theatre, helping May Terry shake the Christmas doldrums away with some great alternative-blues rock.
Carl F. Gauze jumps a freight train to Austin to check out some new music by Icona Pop and Marina and the Diamonds, and returns with a bad case of bubble gum fever.
Robert Glasper and Friends find the Wonder in Jazz, and Lauressa Nelson is there to soak it all in at the Harlem Stage.
Surf music from the hills of North Carolina washes up on the Orlando shore and pelts Carl F Gauze with free fried chicken. Southern Culture on the Skids is back in town.
Die-hard fans, May Terry among them, mind-moshed and recalled their early days of musical aggression at Irving Plaza, thanks to legendary punk rockers, X.
The question on Matthew Moyer’s mind, when checking out the trimmed-down version of Cult of Youth, was this: will they still be able to pull off the rich hues and near-psychedelic textures of this album? The answer: a resounding YES!
An unplugged evening with Eddie Vedder full of conversation, confessions, and two hours of music is a damn fine way for Jen Cray to spend the night.
When given the chance to see Madonna, on a moment’s notice and four hours away, Jen Cray abandons all responsibilities, hightails it to Miami, and enjoys every sleep-deprived second of the journey!
Aesop Rock gives Jacksonville some quality hip hop – the kind so good that even shoegazer Jessica Whittington can’t appreciate.
Weezer brings the Memories Show to Orlando for a pair of full album performances that sell out with fans looking to take a time machine back to the early ’90s. Jen Cray caught the 1992 train and heard the Blue Album from start to finish.
May Terry squints and strains to see and hear 2:54 in a dim bog of lights and sound at the Mercury Lounge.
John Badham’s 1983 future-tech helicopter thriller, Blue Thunder, with its cautionary tale of militarized police and a surveillance state, still resonates decades later.
What if the miracle of sight came with a curse? The Eye builds its horror from that chilling premise.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.