MU330
Crab Rangoon (Asian Man). Review by Andrew Chadwick
Faced with the rich sonic twister of music ever churning around us, our writers strap on headphones and hunker down with these tunes and their words to lead everyone to the bottom of what sounds good right now.
Crab Rangoon (Asian Man). Review by Andrew Chadwick
Dawn of the Undead (Post Mortem). Review by David Lee Beowülf
The Forsaken Mourning Of Angelic Anguish (Relapse). Review by Jeremy Wernow
When the Revolution Comes (Au-go-go). Review by Marshall Presnell
Detailed Instructions for the Self Involved (BYO). Review by Gail Worley
The Smell of Victory (Hopeless). Review by David A Clark
Umpteen (E-Squared). Review by brYan Tilford
Science Of The Gods (Mammoth/Planet Dog). Review by Carole Jaszewski
Valley of Christmas (Gert Town). Review by Ian Koss
Live at the Ryborn (Black Top). Review by Phillip Hailre
So Long, and Thanks for All the Shoes (Epitaph). Review by Brian Shelley
Hiddenforbidden (Secretly Canadian). Review by Chad Bidwell
Corporate Monkey (Prime 8). Review by Julio Diaz
Headspace (Progressive Arts/Conquest). Review by George Jegadesh
New Lands (Drag City). Review by Chad Bidwell
Controlled Developments (Astralwerks). Review by drew West
Big Baby (Locked Groove). Review by David A Clark
you speak in too many voices (Black Rider). Review by S.D. Fitzpatrick
Various (Sony Classical). Review by Bertha Ledbetter
An Industrial Tribute to the Kings of High Voltage, AC/DC (Cleopatra). Review by Gail Worley
John Badham’s 1983 future-tech helicopter thriller, Blue Thunder, with its cautionary tale of militarized police and a surveillance state, still resonates decades later.
What if the miracle of sight came with a curse? The Eye builds its horror from that chilling premise.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.