Goin’ Back to Memphis: A Century of Blues, Rock n’ Roll, and Glo
Print Review by Brian Kruger
Music, media, and thought from the Ink 19 editorial team
Print Review by Brian Kruger
Event Review by Gail Worley
Headspace (Progressive Arts/Conquest). Review by George Jegadesh
New Lands (Drag City). Review by Chad Bidwell
Feature
Controlled Developments (Astralwerks). Review by drew West
Big Baby (Locked Groove). Review by David A Clark
you speak in too many voices (Black Rider). Review by S.D. Fitzpatrick
Interview by Ian Koss
Various (Sony Classical). Review by Bertha Ledbetter
Print Review by Kurt Channing
An Industrial Tribute to the Kings of High Voltage, AC/DC (Cleopatra). Review by Gail Worley
Volume 4 (Big Deal). Review by Kurt Channing
Unhinged (Shanachie). Review by Julio Diaz
The Dwarves Are Young And Good Looking (Epitaph). Review by Charles D.J. Deppner
Event Review by Belladonna Fini
Event Review by Bing Futch
Original Soundtrack Recording (Razor & Tie). Review by Anton Wagner
Interview by Gail Worley
Wolf Songs for Lambs (DreamWorks). Review by Cindy Rivers
John Badham’s 1983 future-tech helicopter thriller, Blue Thunder, with its cautionary tale of militarized police and a surveillance state, still resonates decades later.
What if the miracle of sight came with a curse? The Eye builds its horror from that chilling premise.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.