Tone Ranger
“Touchstone” / “Over the Moon” (Animalia Music). Review by Randy Radic.
Music, media, and thought from the Ink 19 editorial team
“Touchstone” / “Over the Moon” (Animalia Music). Review by Randy Radic.
Although there have been many adaptations, Tai Kato manages to bring his own approach to 1961’s The Tale of Oiwa’s Ghost.
Julius C. Lacking slips into the Urban Lounge to find himself supremely lost in the neon swirl of BRONCHO.
Seldom seen samurai comedy The Invisible Swordsman makes its home video debut in the West.
For All the World (ATOM Records). Review by Peter Lindblad.
Chip Off The Old Block (Strong Place Music). Review by Bob Pomeroy.
Songs With Anna. Review by Bob Pomeroy.
Silent film historian Ben Model has created a fascinating guide to decoding the visual language of silent movies in The Silent Film Universe.
An exciting young talent with an engaging old soul, singer-songwriter Lexi Long follows up the recent release of her debut record Sunswept with a “must-see” video for the track “Sometimes Lovers, Barely Friends.” Longtime Ink 19 staff writer Christopher Long got the exclusive 411.
Shalalala. Review by Danielle Holian.
Losing Pace EP (Quiet Panic). Review by Peter Lindblad.
Jason Voorhees goes to space in the delightful but divisive tenth entry in the Friday the 13th saga, Jason X.
A Thousand Years in Another Way (Western Vinyl). Review by Peter Lindblad.
Trash Classic (The Reverberation Appreciation Society/Greenway Records). Review by Peter Lindblad.
Soft New Magic Dream (Rad Cult). Review by Peter Lindblad.
World premiering this week at the Tribeca Film Festival is A Bright Future (Un Futuro Brillante), the second feature from Sundance Award–Winning Director Lucía Garibaldi. Lily and Generoso review this bold dystopian tale.
Lemon Drop Hammer (Secret Monkey Records). Review by Bob Pomeroy.
Featured in a 1995 edition of Ink 19, Atlanta musician Scott Roberts has been releasing music for a long time. He hopes you’ve been listening.
The kriminalfilm, or krimi, occupies a very specific and influential niche of film history, and Eureka Entertainment puts six of CCC Films’ best from Edgar Wallace on display in Terror In The Fog: The Wallace Krimi at CCC.
Hideo Gosha’s 1988 remake of Seijun Suzuki’s 1964 film, Gate of Flesh, gets its very first home video release outside of Japan from 88 Films.
John Badham’s 1983 future-tech helicopter thriller, Blue Thunder, with its cautionary tale of militarized police and a surveillance state, still resonates decades later.
What if the miracle of sight came with a curse? The Eye builds its horror from that chilling premise.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.