Dick Cavett gets inside the comic mind of Robin Williams, Richard Lewis, Bobcat Goldwait, Gilbert Gottfried and more.

Train (Semafore Music). Review by Stacey Zering.

Guillermo del Toro gives a new look at gothic horror in Crimson Peak.

When does a band become a brand? This new documentary examines the current state of the music business and reveals how the “brand” of a rock group now has more power than the members themselves.

He’s produced everyone from Herbie Hancock to Soundgarden. Michael Beinhorn tells about the art of music production.

Psychedelic Country Soul (Omnivore Recordings). Review by James Mann.

Riverland (Red Beet Records). Review by Jeremy Glazier.

Encore (Island Records). Review by Bob Pomeroy.

Got It Togehter! (Future Fossil/Smog Veil Records). Review by Bob Pomeroy.

Quiet Signs (Mexican Summer). Review by Christopher Long.

To Everyone In All The World: A Celebration of Pete Seeger (Appleseed Productions). Review by Bob Pomeroy.

Bang Messiah (Smog Veil). Review by Bob Pomeroy.

Pet Town (Joyful Noise Recordings). Review by Phil Bailey.

The Newest Sound You Never Heard (A-Side Records). Review by James Mann.

It was a night of songs and stories with Croz and friends.

The Plea (Young Mary Records). Review by Jeremy Glazier.

I Used to be Pretty (Yep Roc). Review by Bob Pomeroy.

Suspended in Reflections (Pelagic Records). Review by Carl F Gauze.

The documentary film of the second Glastonbury Festival from 1971 shows the pinnacle of Brit youth revolt and innovative music from bands few remember.

The Imperial (El Cortez Records). Review by James Mann.