Watchers
Dune Phase (Gern Blandsten). Review by Aaron Shaul.
Dune Phase (Gern Blandsten). Review by Aaron Shaul.
Sweet Weaponry (Heinous/Doghouse). Review by Aaron Shaul.
Midnight (Secret Crush). Review by Aaron Shaul.
Morning Kills the Dark (Pop Up). Review by Aaron Shaul.
The Business End (Greyday). Review by Aaron Shaul.
The River (Marriage). Review by Aaron Shaul.
You’rNext (Small Stone). Review by Aaron Shaul.
Kintopp (Staubgold). Review by Aaron Shaul.
Absencen (Staubgold). Review by Aaron Shaul.
Not On Top (Track & Field). Review by Aaron Shaul.
2 (Magic Marker). Review by Aaron Shaul.
Eau Claire (Clairecords). Review by Aaron Shaul.
Everything’s a Love Letter (Preservation). Review by Aaron Shaul.
Master cinematographer Christopher Doyle collaborates with upcoming Thai filmmaker Pen-ek Ratanauang for the first time on Last Life in the Universe. Aaron Shaul thinks it might be the best film he’s seen so far this year.
What We Must (Ninja Tune). Review by Aaron Shaul.
School of Etiquette (Alive). Review by Aaron Shaul.
Static Patterns and Souvenirs (Words On Music). Review by Aaron Shaul.
Born to Be a Motorcycle (Asthmatic Kitty). Review by Aaron Shaul.
Flies the Field (Quarterstick). Review by Aaron Shaul.
Finally! A film from Thailand titled 6ixtynin9 that’s almost safe enough to watch with your parents and Aaron Shaul is incredulously impressed.
John Badham’s 1983 future-tech helicopter thriller, Blue Thunder, with its cautionary tale of militarized police and a surveillance state, still resonates decades later.
What if the miracle of sight came with a curse? The Eye builds its horror from that chilling premise.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.