Lost Bayou Ramblers
Kalenda (Rice Pump Records). Review by James Mann.
Kalenda (Rice Pump Records). Review by James Mann.
All The Apparatus (Faultvo). Review by Matthew Moyer.
Alkaline Trio celebrate 15 years of sweetly poppy gloom and doom with a greatest hits tour that allows them time to strip it all down for the fans. Jen Cray witnessed the bare bones at the band’s Orlando date.
Flogging Molly’s 7th annual Green 17 Tour brings to Orlando the added bonus of opening act Moneybrother. Jen Cray can’t decide which band she enjoyed more.
2011 Grammy Nominees (Columbia Records). Review by Tim Wardyn.
Let It Sway (Polyvinyl Record Co.). Review by Jeff Schweers.
Measures. Review by Jeff Schweers.
Up From Below (Community). Review by Jeff Schweers.
The Hidden Names (Nine Mile Records). Review by Carl F Gauze.
Scott Adams finds this compelling history of Merge Records, the underdog label that beat the odds and succeeded, to be insanely readable.
Until the Earth Begins to Part (V2 Records). Review by Tim Wardyn.
Let Go EP (SideCho). Review by P. McEver.
Dark Was the Night (Red Hot Organization). Review by Tim Wardyn.
Oh, The Places We’ll Go (K Records). Review by P. McEver.
A Certain Feeling (Secretly Canadian). Review by Aaron Shaul.
The Lord Dog Bird (Jagjaguwar). Review by Aaron Shaul.
Last Night My Head Tried to Explode and I Wrote Everything Down (Novoton). Review by Aaron Shaul.
The Drunken Dance of Modern Man in Love (Cutthroat Pop Records/In Music We Trust). Review by Tim Wardyn.
My Ion Truss (Jagjaguwar). Review by Aaron Shaul.
Night of the Furies (Merge). Review by Aaron Shaul.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.