Omega La La (Sin Duda Records). Review by Carl F Gauze.

Versions (Aagoo). Review by Carl F Gauze.

From The Top Of My Tree (Finding You Attractive). Review by Carl F Gauze.

Peoria (Star Apple Kingdom). Review by Carl F Gauze.

Wilderness stops three hours from where Aaron Shaul lives and he is fully committed to leaving the city to find them and prog rock salvation.

Hundred Sights of Koenji (Skin Graft). Review by Aaron Shaul.

Sound of the Apocalypse (B&B Records). Review by Crystal Lee.

Red Bloom of the Boom (Hometapes). Review by Carl F Gauze.

A Delicate Bashing (Headphone Treats Records). Review by Crystal Lee.

It Takes Fifteen to Tango in My Book, What Book Do You Read?. Review by Carl F Gauze.

Air Guitar One (Theory 8 Records). Review by Carl F Gauze.

The EP (self-released). Review by Carl F Gauze.

Ever wonder where those electronic squiggles in old Science Fiction films came from? Ever wonder about the first bands to abandon guitars for electronic instruments? Two new films from Plexfilm show you how Robert Moog taught circuits to sing and how British pop bands put those sounds on the pop charts. Bob Pomeroy sings the body electric.

The Invisible EP. Review by Stein Haukland.

Oscuro (Pascal). Review by Stein Haukland.

Two Conversations (Tiger Style). Review by Daniel Mitchell.

Split cd (North East Indie). Review by Daniel Mitchell.

Remnants Of Deprivation (Retribute). Review by Daniel Mitchell.

In an extensive chat with Dave Aftandilian, the “guitarist of a thousand sounds” reveals the secrets behind his new album, In Search of the Fantastic, and explains why “prog” is not a dirty word.

In the second part of Dave Aftandilian extended chat with “the guitarist of a thousand sounds,” Segal reveals more about the recording process for In Search of the Fantastic.