Derek Menchan: A Special Interview
The multi-instrumentalist opens up on influences that shaped his The Griot Swings the Classics.
The multi-instrumentalist opens up on influences that shaped his The Griot Swings the Classics.
Night (Sony Classical). Review by James Mann.
God of rock ‘n’ roll flute and leader of Jethro Tull, Ian Anderson, opens his US tour in Orlando. Carl F Gauze watches from the balcony and tries not to get too distracted by the aging fans and their frail bladders.
I Think I Can See the Ocean (Stunning Models On Display). Review by Jeff Schweers.
After thirty years, music critic Gary Giddins is still listening, still watching, and still… writing a multi-volume biography of your grandma’s favorite crooner, Bing Crosby? Ink 19 sat down with Giddins to talk about the shape of jazz to come.
In light of the recent charges levied against Jammie Thomas-Rasset in the RIAA’s case against her, we’ve unearthed this review on Steal This Music, a book concerning the history of copyright in music.
How does a musician lacking in any formal training get into Berklee? Sheer guts and determination. Gail Worley talks to Sarah Fimm about her dedication and inspirations.
Live - Rockin’ In The Free World (Epic). Review by Joe Frietze.
Joe Satriani,Steve Vai,Yngwie Malmsteen,electric guitar,high-flying solos,Eric Johnson,Potato Head Groove Thing,G3 - (Satriani/Vai/Malmsteen),Live - Rockin’ In The Free World,Epic,Joe Frietze
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.