Guster
Easy Wonderful (Universal Republic). Review by Sean Slone.
Easy Wonderful (Universal Republic). Review by Sean Slone.
Home Alive (Self-Released). Review by Carl F Gauze.
Rose Petralia takes an evil stroll through Toronto’s dark underbelly with Toronto Noir.
They Might Be Giants proves itself a gigantic nuclear furnace inside the belly of Orlando’s House of Blues. Rose Petralia basks in the glow.
My Socks Never Match (Self-Released). Review by Brittany Sturges.
The Hold Steady are in part known for the copious amounts of alcohol they consume onstage during every performance. How much alcohol can they actually get through in an hour and change? Jen Cray was at their Orlando gig to find out.
An evening with Canadian jokesters Barenaked Ladies was an almost illegal amount of fun. Between the energy of BNL and catchy grooves of Mike Doughty it was enough to leave Linda Tate spent.
Unidirectional. Review by Kyrby Raine.
Perception (Ultrax Records). Review by Andrew Ellis.
Mazatlan (2024). Review by Aaron Shaul.
Drill A Hole In That Substrate And Tell Me What You See (Luaka Bop). Review by James Mann.
Honky Mofo (Sick Pup). Review by Daniel Mitchell.
It’s A Calling (Asian Man). Review by Daniel Mitchell.
Dada (self-released). Review by Stein Haukland.
High Enough to Notice (Wheelkick). Review by Vanessa Bormann.
Ordinary Guise (Slipped Discs). Review by Vanessa Bormann.
Flavour (self-released). Review by Vanessa Bormann.
Visitor Jim (Fortune). Review by Marcel Feldmar.
Superconnector (Meteor). Review by Vanessa Bormann.
Underneath (BMG). Review by Marcel Feldmar.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.