Hard Copy (Dais Records). Review by Steven Cruse.

Founding member of The Cure Lol Tolhurst takes readers on a very personal tour of the people, places, and events that made goth an enduring movement and vital subculture, in GOTH: A History. Bob Pomeroy reviews.

Wicked Jaw (Captured Tracks Records). Review by Christopher Long.

Sound Salvation is resurrected with a howlingly good Halloween playlist that will weak the dead at your All Hallow’s Eve bash.

Goth’s trajectory is dark and long. We send intrepid reporter Will Whalen to investigate.

Beautifully designed coffee table book featuring never before seen photos, collections, and stories from the seminal post-punk band Bauhaus, curated by drummer Kevin Haskins.

The Horror (Sacred Bones). Review by Matthew Moyer.

Enemy Mine (Jagjaguwar). Review by Matthew Moyer.

Midnight of the Century (Wierd). Review by Matthew Moyer.

Happily Ever After (Hungry Eye). Review by Matthew Moyer.

When Gothic godfather (oh stop it) Peter Murphy swept into Jacksonville on the 4th of July with a bag full of hits and Bauhaus classics, Matthew Moyer dropped his bottle rockets and went to check out the REAL fiireworks.

RJ Bowen knows that She Wants Revenge is a dish best served cold at the Club@Firestone in Orlando. Wait, that makes no sense whatsoever…

New York’s Night Kills The Day draw influence from bands like Depeche Mode, the Cure and Pink Floyd. Their debut full length release, The Study of Man… And the Developed Shadow, is set for a March 2007 release on Score Records. Jen Cray spoke with bassist Timothy Falzone about his band that appears to be sitting on the doorstep of success.

Unshattered (Viastar). Review by Matthew Damascus.

Twins (). Review by Kyrby Raine.

H.I.M. bring their brand of Love Metal to American audiences (and Jen Cray ), and the fans come out in swarms.

Wild Light (International Deejay Gigolo). Review by Kiran Aditham.

Estranged (Heyday). Review by Matthew Moyer.

Estranged (Heyday). Review by Matthew Moyer.

Skin’s Getting Weird (Gold Standard Laboratories). Review by Terry Eagan.