The City at Night (Bifocal Media/Lucid Records). Review by Jen Cray.

Wrestling meets rubber suited monsters in a supposedly wicked good time…or is it? Phil Bailey is not quite convinced.

Wrestling meets rubber suited monsters in a supposedly wicked good time…or is it? Phil Bailey is not quite convinced.

Red Printz EP (Modular). Review by Britta Barrett.

Dying in Stereo (Star Time). Review by Aaron Shaul.

Paullelujah! (Coup D’Etat). Review by Ian Koss.

Volume (Popularity / Artemis). Review by Stein Haukland.

Jinx (Time Bomb). Review by Bettie Lou Vegas.

Change Is Coming (Emperor Norton). Review by LIps Fresno

You Are the Best (RCA). Review by Matt Cibula.

Armageddon Through Your Speaker (Interscope). Review by Matt Cibula.

Fine Print at the Bottom (Resurrection AD). Review by Liza Hearon.

Andrea Thompson introduces you to Shifty Shellshock of Crazy Town, a seven-man “extreme rock-rap” band from L.A. that’s building a buzz on the strength of their debut record, The Gift of Game, and a prominent slot on this summer’s Ozzfest.

Music Midtown is a great chance to catch bands you might never get to see otherwise. Frank Mullen took some chances at this year’s festival in Atlanta, and found out what he’d been missing from the likes of Jimmy Cliff, BR5-49, the Jungle Brothers, and Bjorn Again, as well as a pre-Noel Gallagher walk-out Oasis.

Hello Nasty (Grand Royal/Capitol). Review by Drew Id

Hello Nasty (Grand Royal). Review