Dynamite Boy
Dynamite Boy (Fearless). Review by Addam Donnelly.
Dynamite Boy (Fearless). Review by Addam Donnelly.
Siren Song of the Counter-Culture (Geffen). Review by Daniel Mitchell.
Catalyst (Drive Thru/Geffen). Review by Andrew Ellis.
Billy Talent (Atlantic). Review by Addam Donnelly.
Kiss of Deaf (Mindset Records). Review by Tim Wardyn.
Green Day,1039/Smoothed Out Slappy Hours,Lookout Records,Andrew Ellis
Blink 182,S/T,Geffen,Andrew Ellis
1039/Smoothed Out Slappy Hours (Lookout!). Review by Andrew Ellis.
Blink 182 (Geffen). Review by Andrew Ellis.
No Pads, No Helmets… Just Balls (Lava Records). Review by Daniel Mitchell.
In Reverie (Dreamworks/Vagrant). Review by Margie Libling.
The original T.S.O.L. are back, and anarchist lead singer Jack Grisham spoke to Mary Ellen Gustafson in the middle of his bid to be governor of California. Now that’s punk rock.
Every Solution Has Its Problems (Columbia). Review by Stein Haukland.
Before Everything & After (A&M). Review by Stein Haukland.
Fireworks and Alcohol (Fueled By Ramen Records). Review by Daniel Mitchell.
1985 (Nitro). Review by Margie Libling.
Rock Kills Kid (Fearless Records). Review by Daniel Mitchell.
Split 7” (Losing Blueprint). Review by Daniel Mitchell.
Two Lefts Don’t Make A Right (Gotee Records). Review by Daniel Mitchell.
Detox (ViK). Review by Eric J. Iannelli.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.