Echoes (Aakuluk Music). Review by Bob Pomeroy.

The Prettiest Curse (Mom + Pop Records). Review by Bob Pomeroy.

Satirifunk (Dumparade Records). Review by Bob Pomeroy.

The Dancing Devils of Djibouti (Ostinato ). Review by Bob Pomeroy.

Officiel//Artificiel (Verve Forecast). Review by Bob Pomeroy.

How are musicians coping with a world without stages. Bob Pomeroy talked to a few of his favorites who have turned to streaming shows to get some answers.

Have a Good Time, But Get Out Alive (Cleveland International). Review by Bob Pomeroy.

Forced isolation, too much coffee and a stack of records result in a batch of attention deficit record reviews.

Humanism (Monk’s Road Records). Review by Bob Pomeroy.

Shadance Hall (Dekmantel Records). Review by Bob Pomeroy.

Alphabetland (Fat Possum). Review by Bob Pomeroy.

While in self isolation, I finally got around to reading Florida Soul: From Ray Charles to KC and the Sunshine Band.

Central City. (Funky Krewe Records) Review by Bob Pomeroy.

New Store No. 2 (Max Records). Review by Bob Pomeroy.

Rock Chalk Suite (Blue Engine ). Review by Bob Pomeroy.

Ballad of the Runaway Girl (Bonsound). Review by Bob Pomeroy.

Sweet Crude’s tour ended abruptly at the Crowbar in Ybor City, Florida. The tour to drum up interest in their upcoming major label debut was cut short by the Covid-19 pandemic. Bob Pomeroy was at that show.

When I Was a Writer (Pravda). Review by Bob Pomeroy.

Cloudborn (Edgewater Records). Review by Bob Pomeroy.

Jazz Party (Troubadour Jass). Review by Bob Pomeroy.