Ian Moore
Toronto (Last Chance Records). Review by Michelle Wilson.
Toronto (Last Chance Records). Review by Michelle Wilson.
A fascinating look at the melding of three seemingly disparate artists during a brief period of time that resulted in some of the most influential music to come out of the Seventies.
Lost footage of David Bowie highlights awkward interviews and a general astonishment by the press at his constantly changing persona. Heh heh.
The Slider (Fat Possum). Review by Scott Adams.
Exposure (DMG). Review by Carl F Gauze.
Tom Schulte hears the bad CDs so you don’t have to. Herein are paragraphs on the good ones.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.