In this retro-futuristic drama, New York City is recreated on a massive scale in the Nevada desert after a terrorist attack. Things are in a bad state, but will they ever get better? After 1500 pages, the answer is: Not really.

An immersive show takes you through the dark alleys of Orlando’s night life.

There’s Nothing Like A Lox: The Lost Song Parodies of Allan Sherman (Liberty Hall). Review by Carl F. Gauze.

A mysterious stranger wander into a desolate village burdened by gold. Two clans vie for his gunslinging prowess, and nearly everybody ends up dead in this lush and ultraviolent Japanese Western.

Two convicts discuss God, morality and how many people they killed as their lawyer gets disbarred.

Radical Waves (The Sign Records). Review by Carl F. Gauze.

Shawn Kilgore presents a caberet on line from Winter Park Playhouse.

20th Century in 100 Songs (Louisiana Red Hot Records). Review by Carl F. Gauze.

If you think quarantining is a pain, try holding it in when you can’t go out.

CWF II (Black Lodge Records). Review by Carl F. Gauze.

Matchmaker Dolly Levy makes her own match, saving some young woman from the grouchy yet wealthy Horace Vandegelt as live theater returns to Winter Garden.

Ice Age (Riding Easy Records). Review by Carl F. Gauze.

A Russian family drama with plenty of krovvy and ultraviolence.

If I Don’t Try. Review by Carl F. Gauze.

We return to the Footlights Theater in Orlando to re-experience the original “Ladies Of Eola Heights”

Elliot Murphy stars as a rock star thought to be dead.

The newest class of Canada’s finest comedy studio is back, ready for the 2020s.

A stripped-down film festival dips a toe into the Brave New World of masks, distancing, and cinema.

A darling love story with engaging characters and one of the worst titles ever.

In rural England, a cranky woman bonds with and evacuee boy and uncovers a strange connection to her past.