The glass bottom boat of the cultural press
Take Matthew Moyer’s advice - When the singer in a doom metal band is wearing priest’s vestments and rolling his eyes in the back of his head, you know you’re in for a quality concert. Solitude Aeternus brings the celluloid goods.
God Luck and Good Speed (Southern Lord). Review by Matthew Moyer.
The Serpent’s Gold (Earache Records). Review by Matthew Moyer.
Cathedral (Asthmatic Kitty). Review by Aaron Shaul.
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Turbulent Times (Southern Lord). Review by Matthew Moyer.
The Last Refuge of the Sons of Bitches (Retribute). Review by Matthew Moyer.
Ever wish you could go back in time and relive all of the beautiful moments? Well you can’t. There are no words for it.
The VIIth Coming (Spitfire). Review by Vinnie Apicella.
Rampton (Southern Lord). Review by Daniel Mitchell.
Split CD (Shifty / Boredom Noise / Berzerker / Unknown Controller). Review by Matthew Moyer.
Karma’s Grave (self-released). Review by Nathan T. Birk.
Awakening The World (Koch/Music For Nations). Review by Nathan T. Birk.
Endtyme (Earache). Review by Nathan T. Birk.
In Memoriam (The Music Cartel). Review by Saucy Jack
Caravan Beyond Redemption (Earache). Review by Nathan T. Birk
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.
