indie british rock brit-pop 1980s ’80s,Aveo,Battery,Barsuk,Aaron Shaul

Music for Human Rights (Asterisk). Review by Sean Slone.

Music for Human Rights (Asterisk). Review by Sean Slone.

Music for Human Rights (Asterisk). Review by Sean Slone.

The <b>Snow Patrol</b> tour was as much about opening acts <b>Ok Go</b> and <b>Silversun Pickups</b> as it was about the Irish headliners. Jen Cray was among those lucky enough to score a ticket to the sold-out event.

Waves: Seventeen original BBC recordings from the Radio 1 sessions (1990-1994) (The First Time). Review by Eric J. Iannelli.

Andrew Ellis finds out the frustrations and joys Brad Byrd experiences in writing, producing, and releasing his music independently.

Comfort in Sound (Republic). Review by Margie Libling.

Phantom Power (XL). Review by Sean Slone.

Dark Little Rooms EP. Review by Eric J. Iannelli.

Slideling (Cooking Vinyl/spinART). Review by Sean Slone.

Unhurried (Eskimo Kiss). Review by Stein Haukland.

Revenge is Slow (Nonzero / In Music We Trust). Review by Stein Haukland.

Wires (3 Beads of Sweat). Review by Stein Haukland.

The Future That Was (Artemis). Review by Sean Slone.

Sing (Sparrow). Review by Daniel Mitchell.

Float Away With the Friday Night Gods (E-Squared / Artemis). Review by James Mann.

A Rush of Blood to the Head (Capitol). Review by Stein Haukland.

Cobblestone Runway (Nettwerk America). Review by Sean Slone.

Time and Tide Wait for No Man (Levitt). Review by Phil Bailey.