CREEM
CREEM, the iconic rock and roll magazine from the 1960s, is back and just as snotty as ever… in its own quaint way.
Tag: Creedence Clearwater Revival
Grayson Capps
Scarlett Roses (Royal Potato Family). Review by James Mann.
Natural Child
Okey Dokey (Natural Child Records and Tapes). Review by Jen Cray.
The Scientists
A Place Called Bad (The Numero Group). Review by James Mann.
The Haymarket Squares
Light It Up. Review by Carl F Gauze.
Creedence Clearwater Revival
Cosmo’s Factory / Pendulum (Fantasy/Concord Records). Review by Christopher Long.
Creedence Clearwater Revival
Bayou Country (Fantasy). Review by Carl F Gauze.
Brightblack Morning Light
Motion To Rejoin (Matador). Review by Matthew Moyer.
Creedence Clearwater Revival
Creedence Clearwater Revival - 40th Anniversary Edition (Fantasy). Review by Carl F Gauze.
Dick Prall
Weightless (Authentic). Review by Chris Catania.
The Dead Betties
Fuck You Avril, You’re in the Army Now. Review by Jen Cray.
The Heart Attacks
Hellbound and Heartless (Hellcat). Review by Jen Cray.
Magnolia Electric Co.
What Comes After the Blues (Secretly Canadian). Review by Aaron Shaul.
John Fogerty
Deja Vu All Over Again (Geffen). Review by Sean Slone.
Johnny Marr
“Melodic with a touch of groove and an anemic, very white approach to the vocals, but still soulful.” Gail Worley talks to Johnny Marr, currently of The Healers and formerly of the Smiths, and manages to keep it together. Mostly.
Track Star
Lion Destroyed the Whole World (Better Looking). Review by Matt Cibula.
Graham Parker
Deepcut to Nowhere (Razor & Tie). Review by Marcel Feldmar.
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