I Got Me. Review by Ian Koss.

Joe Jack Talcum sings Railroad Bill and Other Songs. Review by Julius C. Lacking.

MITH (Jagjaguwar). Review by James Mann.

“Ring Spiel” Tour ‘95 (Columbia Records). Review by James Mann.

ST (Big Legal Mess Records ). Review by James Mann.

Get your crazy font on, with Andy Miller’s collection of wall-ready poster art inspired by indie rock music.

Larry “Wild Man” Fischer went from paranoid street performer to the “Godfather of Outsider Music.” Derailroaded captures the fine line between madness and art, but James Mann wonders – at what cost?

Is and Always Was (High Wire Music). Review by James Mann.

Hippies (Matador). Review by Matthew Moyer.

Sad Man Happy Man (ATO Records). Review by Tim Wardyn.

The return of anti-folk master Paleface piqued the interest of few in Orlando, but those who did turn out for his intimate, late-night performance on a frigid winter night were treated to a rare moment of musical beauty.

Chris Catania has a candid talk with Daniel Johnston , musician, artist, and most recently, the inspiration behind Infernal Bridegroom’s rock opera, Speeding Motorcycle.

Chris Catania braved Chicago’s blizzarded streets to get a dose of Daniel Johnston’s therapy.

Personal Stereo (Beatservice). Review by Aaron Shaul.

Okay (Bluesanct). Review by Matthew Moyer.

To Go Home (Merge). Review by Aaron Shaul.

The Tallest Man on Earth (Gravitation). Review by Aaron Shaul.

Superfine (Public Eyesore). Review by Matthew Moyer.

Nowhere Sometimes (Epliglotic). Review by Eric J. Iannelli.