In a shocking endorsement deal, Limp Bizkit’s Fred Durst reveals that he’s not only the Hair Club For Men’s new spokesman, he’s also a member. Daniel L. Mitchell gets to the root of the matter.

Last Line of Defense (Too Damn Hype). Review by Daniel L. Mitchell.

Fashion Over Function (Tooth & Nail). Review by Daniel L. Mitchell.

Nihility (Earache). Review by Daniel L. Mitchell.

Blueprints (Candlelight). Review by Daniel L. Mitchell.

Daniel L. Mitchell explores Robert Smith’s “Axis of Evil” – and its life-changing effects – with an in-depth look at three seminal albums from The Cure.

Deerhoof (Menlo Park). Review by Daniel L. Mitchell.

Lost In Revelry (Misra). Review by Daniel L. Mitchell.

Remotecontrolled Scythe (Mercenary Musik). Review by Daniel L. Mitchell.

Vengeance Ascending (Olympic). Review by Daniel L. Mitchell.

Adventures In Tokyo (Tooth & Nail). Review by Daniel L. Mitchell.

Oscar buzz continues at Ink 19, as Daniel L. Mitchell takes a look at director Wes Anderson’s quirky new film The Royal Tenenbaums.

Aftershock (Doghouse). Review by Daniel L. Mitchell.

Live in a Dive (Fat). Review by Daniel L. Mitchell.

Lifesblood (Relapse). Review by Daniel L. Mitchell.

Honour, Valour, Pride (Metal Blade). Review by Daniel L. Mitchell. ,

Self Control (BYO). Review by Daniel L. Mitchell.

Diabolis Interium (No Fashion). Review by Daniel L. Mitchell.

What Becomes Before (Southern). Review by Daniel L. Mitchell.

Soulskinner (Metal Blade). Review by Daniel L. Mitchell.