Broken Gargoyles (Intravenal Sound Operations). Review by Bob Pomeroy.

Perlas (Fire Records). Review by Matthew Moyer.

Apokalypsis (Pendu Sound). Review by Matthew Moyer.

Malaikat Dan Singa (K Records). Review by Matthew Moyer.

Despite a discography that would make you expect a persona along the lines of a reincarnated Captain Beefheart, in conversation, Arrington de Dionyso is polite and eager to communicate his artistic mission in as understated a manner as possible. Ink 19 caught up with the artist on a rare day off, somewhere in Texas, to speak about his new album Malaikat Dan Singa, performance, and making music to conjure spirits.

Matthew Moyer believes that this new Lydia Lunch DVD retrospective provides a fine primer for a life well-lived on the fringes of art and expression.

Guilty Guilty Guilty (Mute). Review by Matthew Moyer.

Shelton Hull refers to the feminist vision of the inimitable Lydia Lunch as “seminal” and lives to tell the tale.

When Gothic godfather (oh stop it) Peter Murphy swept into Jacksonville on the 4th of July with a bag full of hits and Bauhaus classics, Matthew Moyer dropped his bottle rockets and went to check out the REAL fiireworks.

Chaos Is My Name (Hydra Head). Review by Matthew Moyer.

Breath Of Fire (K Records). Review by Matthew Moyer.

Here She Comes (Blood of the Young Records). Review by Kyrby Raine.

Vincent & Mr. Green (Ipecac). Review by Kiran Aditham.

Even if only his status as one-quarter of Led Zepplin is taken into account, few could deny that John Paul Jones deserves to be revered. But more than 20 years after the end of Zep, Jones remains a vital and diverse artist. Gail Worley talks to a true musical legend.