Bevis Frond
New River Head (Rubric Records). Review by Matthew Moyer.
New River Head (Rubric Records). Review by Matthew Moyer.
Mitch Easter, Let’s Active, the dBs, Rob Levy, interview
They don’t come more seminal than Mitch Easter, who has influenced music from both sides of the mixing board, with his band Let’s Active and as the producer for acts like REM, Pavement and Marshall Crenshaw. Rob Levy grabs a few moments with the busy man.
Lou B’s Wasted Pieces ‘87-‘93 (Shrimper). Review by Stein Haukland.
Lou B’s Wasted Pieces ‘87-‘93 (Shrimper / Revolver). Review by Stein Haukland.
Various Artists (Reverb). Review by Rob Walsh.
London Crawling (Rub Wrongways Records). Review by Daniel Mitchell.
Damage (Self-Starter). Review by Daniel Mitchell.
Free So Free (Ultimatum Music). Review by James Mann.
Drummmer Barrett Martin talks about Screaming Trees, Wayward Shamans, Tuatara, and life after grunge with Gail Worley.
We Were Young and Needed the Money (Retrophonic). Review by James Mann.
From Lausanne, Switzerland (Doghouse). Review by Stein Haukland.
Triptych (Rubric). Review by Matthew Moyer.
Valedictory Songs (Woronzow). Review by Stein Haukland.
Miasma and Inner Marshland (Rubric). Review by Matthew Moyer.
Set Yourself on Fire (Moodswing). Review by Vanessa Bormann.
Kind of Like Spitting (Hush). Review by Eric J. Iannelli.
Mishima USA (Catapult). Review by Terry Eagan.
Here Are the Remedies (self-released). Review by Christopher R. Weingarten.
Everyone But You (Intelligent). Review by Julio Diaz.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.