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Collection of Sounds: Vol. 1 (Rhymesayers Entertainment). Review by Peter Lindblad.
Collection of Sounds: Vol. 1 (Rhymesayers Entertainment). Review by Peter Lindblad.
The Black Dirt Sessions (Partisan Records). Review by Carl F Gauze.
Jake Brown takes advantage of the 25th anniversary of Def Jam Records to present music fans with his appreciation of its co-founder, Rick Rubin.
In light of the recent charges levied against Jammie Thomas-Rasset in the RIAA’s case against her, we’ve unearthed this review on Steal This Music, a book concerning the history of copyright in music.
Vs. Children (Tomlab). Review by Matthew Moyer.
When electro-pop band Uh Huh Her brought its madly selling-out tour to Orlando, Jen Cray not only caught the live show, but also sat down with the girls to discuss touring before the debut album is even released.
The Good Girl Blues (Cadabra Records). Review by James Mann.
Boy in Da Corner (Matador Records, XL Recordings ). Review by Van Sias.
The Deuce (Silverback). Review by Bill Campbell.
Ten Years and Gunnin’ (Columbia). Review by Rob Walsh.
The EP (Etheric). Review by Stein Haukland.
Man Vs. Machine (Columbia). Review by Rob Walsh.
Truthfully Speaking (Aftermath / Interscope). Review by Bill Campbell.
Pain (MCA). Review by Bill Campbell.
Bang Or Ball (Cash Money / Universal). Review by Bill Campbell.
The Original Motion Picture Soundtrack (Aftermath / Doggystyle / Interscope). Review by Bill Campbell.
Devil’s Night (Shady/Interscope). Review by Julio Diaz.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.