The glass bottom boat of the cultural press
Dylan Garret chats with Dan Geller of I Am The World Trade Center about dance music, DJing, downloads, and how New York City needs to stop being so damned expensive already. All this and more, with less questions about the band’s name than you’ve come to expect. Well, okay, just one. But it’s a good one.
Enon took the stage at Revolver in Miami, FL for an outstanding, yet completely unappreciated show. Except for Dylan Garret. He gets it.
Various Artists (Neurodisc). Review by Dylan Garret.
Investigative journalist Frank Owen pulls us into the ruthless (yet colorful and well-accessorized) world of ’90s New York and Miami club scenes. Dylan Garret likes the nightlife. He likes to boogie.
Mind Over Mind (Ultimatum Music). Review by Dylan Garret.
All Little Boys Do Silly Little Dances (Wobblyhead). Review by Dylan Garret.
Dark Island (Merge Records). Review by Dylan Garret.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.
