For Your Home or Office (Clairecords). Review by Aaron Shaul.

modern rock radio,alternative,grunge,electronic,Carina Round,The Disconnection,Interscope,Aaron Shaul

The Disconnection (Interscope). Review by Aaron Shaul.

Don’t Drink His Blood (Temporary Residence). Review by Aaron Shaul.

Split 7” (AAJ). Review by Daniel Mitchell.

Daniel Mitchell quiets the nervous quiver in his voice long enough to speak with Lol (of Levinhurst, and once of the Cure) about a bevy of topics.

Mount Eerie (K). Review by Matthew Moyer.

Hummingbirds (Mono Fi). Review by Ben Varkentine.

Tron: Original Motion Picture Soundtrack (Disney). Review by Ben Varkentine.

Cooking With Lasers (TVT). Review by Bettie Lou Vegas.

Cooler Perspectives (Waveform). Review by Vanessa Bormann.

Organasm (Relapse). Review by David Lee Beowulf .

Exios Mex-tremos: Mextremist/Greatest Hits (Kool Arrow). Review by David Lee Beowulf.

The Dutch DJ team of Arling + Cameron are far too busy to talk with the likes of Ian Koss, so he instead interfaced digitally with their A.I. simulacrums, AC3D, to find out what makes them tick.

Celebrating 18 years with its 100th release, Projekt Records is firmly established as the preeminent gothic/darkwave label in the U.S. Dave Aftandilian spoke with label head (and Black Tape for a Blue Girl member) Sam Rosenthal to learn how this niche label has thrived over the years, and how he plans to weather the emergence of the Internet.

Front 242, with Cassandra Complex, at Irving Center in New York City on September 28, 2000. Concert review by Kiran Aditham.

Twisted Tenderness (Parlophone). Review by Terry Eagan