Kiss All The Time. Disco, Occasionally. (Columbia Records). Review by Christopher Long.

In this installment of his popular weekly series, Christopher Long recalls rolling up on a used record joint in Myrtle Beach where he scored a clean and quiet vinyl copy of Hermit of Mink Hollow, the 1978 masterpiece from Todd Rundgren, for just $2.

Live In Hollywood (Rhino Records). Review by Christopher Long.

Ned Wilkinson’s Spotlight Cabaret brought New Wave summer fun nostalgia from the 1970s and ’80s.

Happy Go Lucky (Box Records). Review by Bob Pomeroy.

You can say that bedrock funk bassist Bootsy Collins is The One, and you would be right on so many levels.

Supremely independent for going on three decades, Superchunk’s incisive nervous energy is still one of the purest indie highs you can find.

20th Century in 100 Songs (Louisiana Red Hot Records). Review by Carl F. Gauze.

Born Ruffians hail from the Great White North, and they have an innate ability to craft razor-sharp hooks out of the simplest of riffs.

Good Good Man (Disismye Music). Review by James Mann.

Boy Crazy And Single(s) (Bloodshot Records). Review by James Mann.

Co-founding B-52s singer / songwriter Cindy Wilson delivers an impressive and intimate Orlando club performance.

Arthur Alexander (Omnivore Recordings). Review by James Mann.

So It Is (Legacy). Review by Bob Pomeroy.

Roots Rock ‘N’ Roll (Royal Potato Family). Review by James Mann.

Country icon Jim Lauderdale is profiled in The King of Broken Hearts.

Twenty years of hard rocking leads to a nice home in the suburbs, a stable marriage and a beautiful daughter.

Boys School (Nectic Collective). Review by Carl F Gauze.

In Motion Pictures (Universal Music Enterprises). Review by Carl F Gauze.

Local Business (XL Recordings). Review by Jen Cray.