You’re My Lover Now (Park The Van). Review by Jen Cray.

A documentary about the leading label of the punk and new wave movment, Carl F Gauze sticks a safety pin through his nose and jumps.

Hangover Heights Part 2 (In Music We Trust). Review by Tim Wardyn.

With five Mtv buzz-worthy bands on the bill (six if you count the unannounced special guest) and tickets going for a mere $22 a pop, it was no wonder that the 30 Seconds to Mars’“Welcome to the Universe Tour” sold out Orlando’s Hard Rock Live. Jen Cray joined the echelon.

A Thousand Days (Kontext). Review by Bob Pomeroy.

Chariots of Fire (Theory 8). Review by Andrew Ellis.

Footprints (What It Is Records). Review by Kyrby Raine.

eMOTIVe (Virgin). Review by Andrew Ellis.

Falling Out (Hidden Agenda). Review by Aaron Shaul.

All Your Little Pieces (Rotomac Records). Review by Andrew Ellis.

Love & Bombs (Yep Roc). Review by Aaron Shaul.

Eternal Holiday (Modular People). Review by Carl F Gauze.

Bungalow Hi (Southern Domestic). Review by Bob Pomeroy.

Best of the Boomtown Rats (Universal). Review by Sean Slone.

Probably Human (Maybe M). Review by Eric J. Iannelli.

Everyone’s Having Fun Tonight (M-Squared Records). Review by Andrew Ellis.

The Ride (Mammoth/Hollywood Records). Review by Carl F Gauze.

Collaboration,Pop,R&B,1960s songwriter,Isley Meets Bacharach,Here I Am,Dreamworks,Aaron Shaul

Here I Am (Dreamworks). Review by Aaron Shaul.

Volcano, I’m Still Excited (Polyvinyl Records). Review by Daniel Mitchell.