This week, author Christopher Long drops by a Florida east coast thrift joint and scoops up a reasonably clean vinyl copy of Willie and Family Live, the classic 1978 double-live set from Willie Nelson — for just $6.

Five years following its original theatrical release, Ink 19’s Christopher Long revisits the Linda Ronstadt biopic, The Sound of My Voice, to see if it still packs a punch.

Vinyl junkie Christopher Long discovers a treasure trove of budget-priced used LPs in Vero Beach, Florida — including a well-loved copy of the 1974 Linda Ronstadt breakout album, Heart Like a Wheel — for a buck.

Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!

Feels Like Home: A Song for the Sonoran Borderlands (Putumayo). Review by Bob Pomeroy.

Ghost Stories (Red House Records). Review by Christopher Long.

The man who started it all, Chris Hillman, recounts his time as a Byrd, a Burrito Brother, and more in this fascinating memoir. James Mann reviews.

Ignored upon release, Marty Stuart’s The Pilgrim is now regarded as a classic of the genre. Read how it came to be in this lavish look.

I Like It Down Here (Daphne Records). Review by James Mann.

Guy (New West Records). Review by Jeremy Glazier.

Voices ( Appleseed Recordings). Review by James Mann.

Natural (Jackson Beach Records). Review by James Mann.

Close Ties (New West Records). Review by James Mann.

Mockingbird Soul (BDM Music). Review by James Mann.

Without Getting Killed or Caught: The Life and Music of Guy Clark is a remarkable look at one of the greats.

Kicking off his current Stay Gold tour, pop music “golden boy,” Butch Walker returned to Orlando for yet another sold-out performance at The Social. Christopher Long was there.

Strange Country (New West Records). Review by James Mann.

Buck ‘Em! The Music of Buck Owens (1955-1967) (Omnivore Recordings). Review by James Mann.

Willie Sugarcapps ( The Royal Potato Family). Review by James Mann.

Cannery Row (Bloodshot Records). Review by James Mann.