Ghais Guevara
Goyard Ibn Said (Fat Possum). Review by Peter Lindblad.
Goyard Ibn Said (Fat Possum). Review by Peter Lindblad.
Humanhood (Fat Possum). Review by Peter Lindblad.
Longtime Ink 19 staff writer Christopher Long spent almost the entire year consuming and writing about new music. Here are his personal Dirty Dozen: the 12 records that made his heart the happiest in 2024.
Smoke & Fiction (Fat Possum). Review by Steven Garnett.
Alphabetland (Fat Possum). Review by Bob Pomeroy.
White Stuff (Fat Possum). Review by Steven Garnett.
I Don’t Prefer No Blues (Big Legal Mess Records). Review by James Mann.
Dark Night of the Soul (Fat Possum). Review by Carl F Gauze.
Sabougla Voices (Big Legal Mess Records). Review by James Mann.
2:54 (Fat Possum). Review by Jen Cray.
The Slider (Fat Possum). Review by Scott Adams.
Tomorrow Is Alright (Fat Possum). Review by Jen Cray.
Summer of Hate (Fat Possum). Review by Matthew Moyer.
Wavvves (Fat Possum). Review by Matthew Moyer.
The Mountain (Fat Possum). Review by Jen Cray.
Sunday Nights: The Songs of Junior Kimbrough (Fat Possum). Review by Terry Eagan.
Bad Man (Fat Possum). Review by Bill Campbell.
thickfreakness (Fat Possum). Review by Troy Jewell.
Defector (Fat Possum). Review by Bill Campbell.
Pushin’ My Luck (Fat Possum). Review by Bill Campbell.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.